'Rushlights' Unrated Director's Cut VOD: Superb Neo Docudrama American Gothic Noir

Rushlights Reviews
The Vertical Entertainment VOD discharge of the unrated director's cut from the "Based on True Events" 2013 Josh Henderson (of the TNT "Dallas" series) noir-thriller "Rushlights" implies that streaming is not just for previously released and not-ready-for-primetime material. This production implies that this format can also be used to show the public the film how the studio suits don't want you to see. In this case, in all probability it may be the full extent from the violence in some scenes.

Rushlights
"Rushlights" writer/director Antoni Stutz states within the press materials for this release that "this cut of the film is better a few things i (Stutz) been in mind initially. Its [sic] edgier. 'The gloves are off' if you'd prefer." We like; oh yes, we all do.

The next YouTube clip of the "Rushlights" trailer shows the actual way it uses the actors and setting to get affordable effect.

Stutz commences with the classic noir set-up of getting Henderson's Billy meet fellow loser Sarah in the diner where she works as a waitress until something better comes along. Mutual flirting begats a hot-and-heavy R-rated lust scene, which begats panicked night-time contact from Sarah to Billy.

The get your booty over here call relates to the recent death from the roommate of Sarah. This begats Billy and Sarah travelling to a tiny Texas town to perpetuate a scheme to gather a big inheritance this agreement they lack a rightful claim.

Both leads play their parts well; the portrayal of Billy appears to be an audition piece for Henderson regarding his subsequent role because the grown-up John Ross Ewing on "Dallas."

This attempt to pull the wool within the eyes with the (presumed) sheep-ranching community triggers the majority of these elimination of the gloves. The quantity of bloodletting and the creative manners by which Satutz achieves this should satisfy every fan from the modern kind of thriller. A climatic scene nearby the end particularly will not disappoint in this regard.

Stutz further excels in adding twists that keep the audience guessing. Any noir fan knows that deceit permeates the Billy-Sarah relationship, nevertheless the reveals with this are unexpected. Well the same to some lesser extent concerning the sibling rivalry between local sheriff Bob Brogden (whom Beau Bridges perfectly portrays) and younger brother attorney Cameron (whom Aidan Quinn nicely plays).

Stutz additionally borrows in the horror film genre in providing several false endings before finally putting everything to rest. The seemingly final carnage is simply the start of the end.

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